Authors

Eman Abdelhadi

Eman Abdelhadi is an academic, activist, and artist based in Chicago, IL. Her research as faculty at the University of Chicago focuses on gender differences in the community trajectories of Muslim Americans. Abdelhadi has also spent many years organizing. She has been involved in the movement for Palestinian liberation, Black Lives Matter, counter-surveillance and abolitionism, marxist feminist mobilization as well as workplace struggles. She is currently co-coordinating the Muslim Alliance for Gender and Sexual Diversity, a national organization that provides support and builds community by and for Queer Muslims. Abdelhadi maintains an active creative practice that includes performance art and essay and poetry writing. Her writing has appeared in Jacobin, Muftah, and other publications.

Sundus Abdul Hadi

Sundus Abdul Hadi is an Iraqi-Canadian multimedia artist and writer. Born in the United Arab Emirates, she was raised and educated in Montreal, where she earned a BFA in Studio Arts and Art History and a Masters in Media Studies. Her work critically engages the concepts of care, community and struggle. Her artistic practice is a subversive and sensitive reflection on war, trauma and representation, using manipulated photographic imagery, mixed-media painting, artist books and sound. She is the author-illustrator of Shams, an illustrated book about trauma, transformation and healing (We are the Medium, 2020). Complimenting her studio practice, Abdul Hadi curates exhibitions as artist-curator, most recently with the research-creation exhibit project featured in her book of the same name, Take Care of Your Self. She is the cofounder of We Are The Medium, a global multidisciplinary artist collective, publishing house, and cultural hub.

Her work has been exhibited in Palestine, UAE, Canada, USA, France, New Zealand and the UK. She has given workshops in Australia, Iraq and Kuwait, and has been a speaker at Nuqat, the Nobel Peace Prize Forum, the Aga Khan Museum (Toronto), Telfair Museum (Savannah GA), NYU New York, and multiple universities in Canada and the US. Abdul Hadi is a two time recipient of the Conseil des Arts et des Lettres du Quebec (CALQ) Vivacite grant, and received the Makers Muse award from Kindle Project (2018). Her work is part of the Barjeel Art Foundation collection.

Abolition Collective

The Abolition Collective is the editorial group for Abolition: A Journal of Insurgent Politics. The collective publishes work to advance struggles for 'abolition', understood as a concept, process, and reality that also becomes the common ground upon which we meet, struggle, and join together in solidarity. It refers to all revolutionary movements, insofar as they have abolitionist elements—whether the abolition of patriarchy, capitalism, heteronormativity, ableism, colonialism, the state, or white supremacy. Rather than just seeking to abolish a list of oppressive institutions, the Abolition Collective aims to support studies of the entanglement of different systems of oppression, not to erase the tensions between different movements, but to create spaces for collective experimentation with those tensions.  

Mumia Abu-Jamal

Mumia Abu-Jamal, America’s most famous political prisoner, is internationally known for his “live from death row” radio broadcasts and writings. In his youth, he helped found the Philadelphia branch of the Black Panther Party, wrote for the national newspaper, and began his lifelong work of exposing the violence of the state as it manifests in entrenched poverty, endemic racism, and unending police brutality. We Want Freedom: A Life in the Black Panther Party new and expanded, is published in celebration of the fiftieth anniversary of the Black Panther Party. A website dedicated to this visionary book has powerful audio recordings by Mumia, additional photos, and texts about his life and his work. Free Mumia! 

Jack Z. Bratich

Jack Z. Bratich is professor in the Journalism and Media Studies Department at Rutgers University. He is author of Conspiracy Panics: Political Rationality and Popular Culture and coeditor of Foucault, Cultural Studies, and Governmentality.

Noah Brehmer

Noah Brehmer is a political theorist, cultural organizer and founding member of Luna6. He cofounded the Lithuanian critical media platform Life is Too Expensive. He’s published in Blind Field Journal, LeftEast, Mute Magazine, Metropolis M and OpenDemocracy.

The Interference Archive

The Interference Archive is an archive from below that explores the relationship between cultural production and social movements. Collectively, members of the Archive coedited Finally Got the News: The Printed Legacy of the Radical Left, 1970-1979. As a space, the Interference Archive is people powered (all volunteer-run) and financially supported by its community. Through its programming, the archive uses its cultural ephemera to showcase histories of people mobilizing for social transformation.

George Caffentzis

George Caffentzis is a political philosopher and autonomist Marxist. He is a Professor of Philosophy at the University of Southern Maine and a founding member of the Midnight Notes Collective. His most recent book is In Letters of Blood and Fire: Work, Machines, and the Crisis of Capitalism (Common Notions/PM Press, 2013).

Liaisons Collective

Liaisons Collective is more than just a collective, it is an inclination, a tangent, a crossroads of confrontations, encounters, and links, with authors from the United States, France, Italy, Japan, Korea, Lebanon, Mexico, Quebec, Russia, and Spain. It assembles analyses and theorizations directly from the ongoing struggles of affiliated groups, based in different parts of the planet and seeking a common ground. Liaisons is editor of In the Name of the People.

Mariarosa Dalla Costa

Mariarosa Dalla Costa is professor of Globalization, Human Rights, and the Advancement of Women at the Department of Historical and Political Studies of the University of Padua. An historic figure of international feminism, she had devoted her theoretical and practical efforts to the study of the female condition in capitalist development. She has combined this research with that on social movements organizing around the questions of land, agriculture, fishing, and nutrition. Her book The Power of Women and the Subversion of the Community, co-authored with Selma James (Falling Wall Press, Bristol, 1972) has been translated into six languages. Her writings have been published in various languages, including English, French, Spanish, Portuguese, and Japanese. Many of her articles are available in the web journal The Commoner. In 2009, an anthology of her writings, Dinero perlas y flores en la reproduccion feminista was published in Spain by Akal, Madrid. Her English publications include Women, Development and Labor of Reproduction, co-edited with G.F. Dalla Costa (Africa World Press, Trenton, N. J. and Asmara, Eritrea, 1999) and Gynocide:  Hysterectomy, Capitalist Patriarchy and the Medical Abuse of Women (Autonomedia, New York, 2007). Her most recent books in English are Our Mother Ocean: Enclosure, Commons, and the Global Fishermen’s Movement (Common Notions, 2014), coauthored with Monica Chilese, and Family, Welfare, and the State: Between Progressivism and the New Deal (Common Notions, 2015).

CounterPower

CounterPower is a revolutionary organization committed to building the power of working and oppressed people, from below and to the left. Drawing lessons from past and present movements, we offer an analysis, vision, and strategy to build for social revolution in the heart of empire. We organize to dismantle the imperialist world-system: a system based on the fusion of capitalism, heteropatriarchy, white supremacy, and the state. This system is killing people and the planet. In its place, we want to build a free society where all people have full control over their lives. Revolutionary movements must build the “counterpower” necessary to overthrow and abolish all forms of oppression. We believe that autonomous organizations, from labor and tenant unions to councils and communes, are necessary to advance the struggle for liberation. With branches throughout the United States, CounterPower has more than a decade of experience helping to build the collective power and autonomy of workers and the oppressed. As comrades, we work together to build and practice revolutionary politics in our grassroots organizing, embodying the values of a free society in the present. We care for one another as we work to transform ourselves and the world around us.

Ashon Crawley

Ashon Crawley is Associate Professor of Religious Studies and African American and African Studies at the University of Virginia. He is author of Blackpentecostal Breath: The Aesthetics of Possibility (Fordham University Press), an investigation of aesthetics and performance as modes of collective, social imagination and The Lonely Letters, an exploration of the interrelation of Blackness, mysticism, quantum mechanics and love, published with Duke University Press in 2020. He is currently working on a third book, tentatively titled “Made Instrument,” about the role of the Hammond Organ in the institutional and historic Black Church, in Black sacred practice and in Black social life more broadly. All his work is about otherwise possibility.

Bianca Cunningham

Bianca Cunningham is a DSA member in Brooklyn and chair of the NYC DSA Labor Branch. She led her coworkers to join Communications Workers of America (CWA) Local 1109 in 2014, becoming the first-ever Verizon Wireless retail workers to unionize.

Britney Daniels

Britney Daniels, RN, MSN is a Black queer travel nurse and social advocate who has worked in hospital emergency rooms all over the US. Daniels holds a bachelor’s and master’s degree in nursing with a concentration in nursing leadership. She is currently working on her Doctorate of Nursing Practice degree. Britney lives in Chicago with her wife, Saria, and their two dogs, Batman and Momo.

Ashley Dawson

Ashley Dawson is Professor of Postcolonial Studies in the English Department at the Graduate Center, the City University of New York and the College of Staten Island. His latest books include People’s Power: Reclaiming the Energy Commons, Extreme Cities: The Peril and Promise of Urban Life in the Age of Climate Change, and Extinction: A Radical History.

Emory Douglas 

Emory Douglas is former Revolutionary Artist and Minister of Culture for the Black Panther Party, from February 1967 until its discon- tinuation in the early 1980s. Douglas’ art and design concepts were always seen on the front and back pages of The Black Panther newspaper, reflecting the politics of the Black Panther Party and the concerns of the community. Joining forces with Black Panther cofounders Bobby Seale and Huey P. Newton, Douglas was foundational in shaping the Party’s visual and cultural power and sustaining one of its most ambitious and successful endeavors. 

His work has been displayed at the 2008 Biennale of Sydney, Aus- tralia, the Museum of Contemporary Art in Los Angeles California, the Yerba Buena Center for the Arts, and the African American Art & Cultural Complex in San Francisco, California, Richmond Art Center, in Richmond California, Station Museum of Contemporary Art in Houston Texas. Other exhibitions were held at Urbis, in Manchester, the New Museum of Contemporary Art, New York, the Elam School of Fine Art, Auckland, New Zealand, the Beirut Lebanon Art Center, and Showroom MAMA in Rotterdam. His work has appeared in Art in America, PRINT magazine, Juxtapoz, American Legacy magazine and the American Institute of Public Arts. His work is featured in the 2007 publication Black Panther: The Revolutionary Art of Emory Douglas, edited by Sam Durant.

Emory Douglas was born in 1943 in Grand Rapids, Michigan. He has been a resident of the Bay Area since 1951 and attended City College of San Francisco where he majored in commercial art. 

Brad Duncan

Brad Duncan is coeditor of Finally Got the News: The Printed Legacy of the U.S. Radical left, 1970-1979. Duncan is an activist and a union library worker who has been collecting printed materials related to social protest for twenty years. His work as a collector focuses on the radical movements and liberation struggles of the sixties and seventies, some of which can be seen on his popular blog, The R. F. Kampfer Revolutionary Literature Archive. In 2014 his archive was the focus of an exhibition titled “Power to the Vanguard: Original Printed Materials from Revolutionary Movements Around the World, 1963–1987” at Trinosophes in Detroit, Michigan.

Mehdi El Hajoui

Mehdi El Hajoui has been researching and collecting the Situationist International for over a decade. Items from his archive have been exhibited at Princeton University, Indiana University, the Chicago Architecture Biennial, the Musée d’Art Moderne et Contemporain of Geneva, and the Haus der Kulturen der Welt in Berlin, among others. He frequently writes and lectures, and as a board member of Booklyn and ProArts Commons, supports marginalized artists working at the intersection of art and social change.

Jen Hoyer

Jen Hoyer is a librarian at CUNY New York City College of Technology and has volunteered on collections, exhibitions, and education projects at Interference Archive since 2013. Her writing about the intersections of education, archives, and social movement history is available in The Social Movement Archive (Litwin Books, 2021) and What Primary Sources Teach: Lessons for Every Classroom (Libraries Unlimited, 2022).

Silvia Federici 

Silvia Federici is a long-time feminist, writer, and teacher living in Brooklyn, NY. Her most recent book is Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle (Common Notions/PM Press, 2012). Born in Italy, Federici has lectured and taught widely in Europe, Latin America, Africa, and the U.S. She has participated in numerous international movements and social struggles, including feminist, education, anti-death penalty, as well as anti-nuclear and anti-globalization movements.

Arun Ferreira

Arun Ferreira is an Indian political activist based in Mumbai. In 2007, he was branded as the leader of the propaganda and communications wing of the banned Communist Party of India (Maoist). He was acquitted of all charges in 2014. Ferreira also authored Colors of the Cage: A Prison Memoir of India. 

Bill Fletcher, Jr.

Bill Fletcher, Jr. is a racial justice, labor, and international activist based in the United States. He is an editorial board member of BlackCommentator.com; senior scholar with the Institute for Policy Studies; the immediate former president of TransAfrica Forum; the coauthor of Solidarity Divided: The Crisis in Organized Labor and a New Path toward Social Justice (with Dr. Fernando Gapasin); and the author of They're Bankrupting Us: And Twenty Other Myths about Unions.

Dennis Flores

Dennis Flores is a Nuyorican multimedia artist, activist and educator born and raised in Sunset Park, Brooklyn. He is the cofounder of El Grito de Sunset Park, a grassroots community-based organization that advocates around issues of discriminatory policing and housing rights.

David Luis Glisch-Sánchez

David Luis Glisch-Sánchez is a queer feminist antiracist healer, and is the founder of Soul Support Life Coaching, an individual and organizational coaching practice rooted in the queer Black and Latinx feminist tradition. They are also an interdisciplinary sociologist working in the areas of emotion, race, genders, and sexualities. They currently teach in the Department of Global Gender and Sexuality Studies at the University at Buffalo (SUNY).

Alyosha Goldstein

Alyosha Goldstein is a professor of American Studies at the University of New Mexico. He is the author of Poverty in Common: The Politics of Community Action during the American Century, editor of Formations of United States Colonialism (2014), and coeditor (with Jodi A. Byrd, Jodi Melamed, and Chandan Reddy) of “Economies of Dispossession: Indigeneity, Race, Capitalism,” a special issue of Social Text (2018), (with Juliana Hu Pegues and Manu Vimalassery [Karuka]) of “On Colonial Unknowing,” a special issue of Theory & Event (2016) and (with Alex Lubin) of “Settler Colonialism,” a special issue of South Atlantic Quarterly (2008).

Grupe de Arte Callejero

Grupe de Arte Callejero (GAC), which translates to Group of Street Artists, formed in 1997 out of a need to create a space where the artistic and political could be collectively reappropriated as a single means of production. They authored Thoughts, Practices, Actions with Common Notions. Their work blurs the boundaries between militancy and art and develops confrontational forms and strategies that operate within determined contexts: the street, the occupation, the demonstration. From the beginning, their work has searched for a space for visual communication that escapes the traditional circuit of exhibition and exploitation, taking the appropriation of public spaces as its central axis of production. A large part of their work is anonymous in character, which allows for the continued elaboration of these practices and methodologies by like-minded individuals or groups. 

Nafis Hasan

Nafis Hasan is the author of Metastasis. He received his PhD in Cell, Molecular and Developmental Biology from Tufts University in 2019. He is currently an Associate Faculty at the Brooklyn Institute for Social Research and a labor organizer based in Philadelphia. His writings have appeared in Jacobin, Science for the People, The Trouble, and more. He serves as an editor for the radical science magazine Science for the People and South Asian left media platform Jamhoor, and is a proud member of the Democratic Socialists of America. Read more at nafishasan.com.

Johanna Isaacson

Johanna Isaacson writes academic and popular pieces on horror and politics. She is a professor of English at Modesto Junior College and a founding editor of Blind Field Journal. She is the author of The Ballerina and the Bull, has published widely in academic and popular journals, and runs the Facebook group "Anti-capitalist Feminists Who Like Horror Films."

Joy James

Joy James, Ebenezer Fitch Professor of Humanities at Williams College, is the author of Resisting State Violence; Shadowboxing: Representations of Black Feminist Politics; Transcending the Talented Tenth; Seeking the Beloved Community; and In Pursuit of Revolutionary Love. James’s numerous political theory articles on policing, prisons, abolitions, feminisms; and anti-Black racism include “The Womb of Western Theory,” an exploration of the Captive Maternal. James is editor of The New Abolitionists; Imprisoned Intellectuals; Warfare in the American Homeland; The Angela Y. Davis Reader; and coeditor of The Black Feminist Reader.

Selma James

Selma James is a women’s rights and anti-racist campaigner and author. From 1958 to 1962 she worked with C.L.R. James in the movement for West Indian federation and independence. In Padova 1972, she helped co-found the International Wages for Housework Campaign with a number of women whoformed the International Feminist Collective, and in 2000 helped launch the Global Women’s Strike whose strategy for change is “Invest in Caring not Killing”. Her most recent book is Sex, Race, and Class—The Perspective of Winning: A Selection of Writings 1952–2011 (Common Notions/PM Press, 2012).

Anselm Jappe

Anselm Jappe is a philosopher and social critic who explores the intersection between contemporary capitalism, art, and subjectivity. He currently teaches aesthetics at the Accademia di Belle Arte in Rome. His books have been translated into several languages. Books in English include Guy Debord (University of California Press/PM Press) and The Writing on the Wall: On the Decomposition of Capitalism and Its Critics (Zero Books). In 2015, Le Magazine Littéraire listed Jappe as one of “Thirty Names in French Thought to Watch Out For.”

Mariame Kaba

Mariame Kaba is the founder of Project NIA, and has received numerous honors and awards, including the 2019 Morton Deutsch Award for Social Justice, 2019 Visionary Voice Award, and Essence Magazine 2018 #Woke100; an acknowledged expert on the topic of youth incarceration she’s had appearances on NBC News, the Guardian, and Vice.

Saúl Kak

Saúl Kak is an artist based in El Rayón, Chiapas. Born in 1985 in Guayabal, Rayón, he is of Indigenous descent and a representative of the Zoque communities in Chiapas. He contributed to Zapantera Negra: An Artistic Encounter Between the Black Panthers and the Zapatistas. Kak studied painting at the School of Art and Science in Tuxtla Gutiérrez, the state capital of Chiapas, and completed a B.A. in Arts at the University of Guanajuato. He has participated in numerous exhibitions, making performances, lms, and community paintings with both Zapatista and immigrant communities throughout Mexico. His work combines the knowledge and stories of the Zoque people to the effects of globalization and hyper-capitalism. He is currently working on a feature lm about the Zoque and is trav- eling throughout Mexico, following the Central American migration routes to the United States.

Mustapha Khayati

Mustapha Khayati was a member of the Situationist International between 1966 and 1969. Though On the Poverty of Student Life was a collective endeavor, Mustapha Khayati is one who put pen to paper and was the pamphlet's primary author.

Madeline Lane-McKinley

Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism.

Marc James Léger

Marc James Léger is coeditor of Zapantera Negra: An Artistic Encounter Between the Black Panthers and the Zapatistas, and an independent scholar based in Montreal. His essays in art criticism and cultural theory have appeared in Afterimage, Art Journal, C Magazine, Etc, FUSE, Inter, Parachute, Journal of Aesthetics and Protest, Journal of Canadian Studies, Canadian Journal of Film Studies, RACAR, Third Text, and Creative Industries Journal. He is editor of the collected writings and interviews of Bruce Barber in Performance, [Performance] and Performers (YYZBBOKS, 2007) and Littoral Art and Communicative Action (Common Ground, 2013). He is also editor of Culture and Contestation in the New Century (Intellect, 2011), a series of A essays on radical cultural practice, creative industries, and neoliberal governmentality. He is author of Brave New Avant Garde: Essays on Contemporary Art and Politics (2012) and The Neoliberal Undead: Essays on Contemporary Art and Politics (2013), both published by Zero Books. Other projects include the edited text The Idea of the Avant Garde—And What It Means Today (Manchester University Press, 2014) as well as Drive in Cinema: Essays on Film, Theory and Politics (Intellect, 2015). Léger has exhibited artwork in Canada, the US, and the UK.

Fiore Longo

Fiore Longo is a Research and Advocacy Officer at Survival International, the global movement for tribal peoples. She is also the director of Survival International France and Spain. She coordinates Survival’s conservation campaign and has visited many communities in Africa and Asia that face human rights abuses in the name of conservation. She has also visited Indigenous communities in Colombia and worked on Survival’s Uncontacted Tribes campaign.

Since 1969, Survival International has worked in partnership with tribal communities around the world, and together with supporters from over one hundred countries worldwide, to lead hundreds of successful campaigns for tribal peoples’ rights. The movement is helping to build a world where tribal peoples are respected as contemporary societies and their human rights protected.

Josh MacPhee

Josh MacPhee is a designer, artist, and archivist. He is a founding member of both the Justseeds Artists’ Cooperative and Interference Archive, a public collection of cultural materials produced by social movements based in Brooklyn, NY. MacPhee is the author and editor of numerous publications, including Signs of Change: Social Movement Cultures 1960s to Now and Signal: A Journal of International Political Graphics and Culture. He has organized the Celebrate People's History poster series since 1998 and has been designing book covers for many publishers for the past decade.

Firoze Manji

Firoze Manji, a Kenyan with more than forty years’ experience in international development, health and human rights, is the founder and publisher of Daraja Press, including host of the online interview series Organizing in the time of Covid-19. He is Adjunct Professor at the Institute of African Studies and Contract Instructor, Carleton University, Ottawa, Canada. Manji is the founder and former editor-in-chief of the prize-winning pan African social justice newsletter and website Pambazuka News and Pambazuka Press and the founder and former executive director of Fahamu: Networks for Social Justice, a pan-African organization with bases in Kenya, Senegal, South Africa and the UK. He has published widely in politics, health and development. He is coeditor, with Sokari Ekine, of African Awakenings: The Emerging Revolutions.

Liz Mason-Deese

Liz Mason-Deese is an editor at Viewpoint Magazine, a member of the Counter-Cartographies Collective, and a member of the translation collective Territorio de Ideas. She is a long-time translator of and participant in feminist movements in Latin America.

E Morales-Williams

E Morales-Williams is a Black nonbinary femme originally from East Harlem and the Bronx, and has been based in Philadelphia for the past fifteen years. They write as a veteran youth worker, a former Social Studies teacher at an alternative HS, an abolitionist, and as a survivor of sexual assault and police violence. They have facilitated and directed a range of programming in the Bronx, Harlem, and Binghamton, NY; Ghana, West Africa; and North Philadelphia, PA within community centers, middle and high schools, and university campuses such as Temple University, where she taught for six years in their College of Education and was awarded in 2012 for her teaching. The focus of their programming has ranged from Black history, community organizing, urban agriculture, and healing justice. Youth leadership development and decolonizing futures has been a consistent through line of their work.

Fajr Muhammad

Fajr Muhammad is a writer and editor whose work has been awarded fellowships by the Tin House Writers’ Workshop, Rhode Island Writers’ Colony, and the Jack Jones Literary Arts Retreat.

Dr. Joshua Myers

Dr. Joshua Myers is an Associate Professor of Africana Studies at Howard University. He is the author of Of Black Study, Cedric Robinson: The Time of the Black Radical Tradition, and We are Worth Fighting For: A History of the Howard University Protest of 1989.

Donald Nicholson-Smith

Donald Nicholson-Smith was a member of the Situationist International between 1965 and 1967. He has translated a number of their texts (and much more) into English.

M. E. O'Brien

M. E. O'Brien writes on gender freedom and communist theory. She co-edits two magazines: Pinko, on gay communism, and Parapraxis, on psychoanalytic theory and politics. Her work on family abolition has been translated into Chinese, German, Greek, French, Spanish, and Turkish. Previously, she coordinated the New York City Trans Oral History Project, and worked in HIV and AIDS activism and services. She completed a PhD at New York University, where she wrote on how capitalism shaped New York City LGBTQ social movements. She is currently in training to be a psychoanalyst, and works as a therapist.

Anna O’Meara

Anna O’Meara’s research investigates Middle Eastern art and activism between the late 1960’s and early 1970’s, particularly the work of Mustapha Khayati. Her translations have been published by Three Rooms Press, Annex Press, BauerVerlag, and Verso (forthcoming).

Amaia Pérez Orozco

Amaia Pérez Orozco has a PhD in Economics and is activist in social and feminist movements. She is a long time educator and advocate of feminist economic concepts, theory, and practice all around Spain and Latin America

Otras Negras . . . y ¡Feministas!

Otras Negras . . . y ¡Feministas! is a Black Afrodescendent feminist women’s collective from Cali, Colombia. Members include Elba Mercedes Palacios Córdoba, María Campo, Martha Liliana Rivas Orobio, Natalia Andrea Ocoró Grajales, and Betty Ruth Lozano Lerma.

Out of the Woods

Out of the Woods is a transnational political research and theory collective, a loose grouping of decolonial, small-c communist, antiracist queer-feminist thinkers working together to think through the problem of ecological crisis.

Paul Robeson House & Museum

Paul Robeson House & Museum, a project of the West Philadelphia Cultural Alliance, is an internationally recognized center that preserves the legacy of Paul Robeson.

Caleb Duarte Piñon

Caleb Duarte Piñon lives and works between the San Francisco Bay Area and San Cristóbal de las Casas, Chiapas, Mexico. He is a contributor to Zapantera Negra: An Artistic Encounter Between the Black Panthers and the Zapatistas. Piñon studied at Fresno City College and is a graduate of the San Francisco Art Institute and the School of the Art Institute of Chicago. He was appointed as Oakland Arts Commissioner by then Mayor Jerry Brown in 2006. He has exhibited work at the Yerba Buena Center for the Arts, Red Dot Art Fair in New York, The Sullivan Galleries in Chicago, Jack Fisher Gallery in San Francisco, Gallery 727 Los Angeles, the California Museum of Art in Oakland, the Fresno Art Museum and many others. He has given talks in such places as the De Young Museum, SF, the Mexican Museum, SF, the University of the Dirt, Chiapas, the University of Social Science in Tuxla MX, the California Institute of Integral Studies, and the 2012 Creative Time Summit in New York. He has created public works and community performances at the World Social Forum in Mumbai, India, in Santiago de Cuba, Chile, at El Pital, Honduras, in Mexico City, and throughout the US. His work has been reviewed by the Los Angeles Times, Art Ltd, The San Francisco Chronicle, and SPARK public television. Duarte is cofounder and director of EDELO (Where the United Nations Used to Be), a house of art in movement and an intercommunal artist residency of diverse practices. Situated in Chiapas, Mexico, the space invites participants with diverse practices to live and create. He is curator of the Zapantera Negra project. 

The Red Nation

The Red Nation is a coalition of Native and non-Native activists, educators, students, and community organizers advocating Native liberation that formed to address the marginalization and invisibility of Native struggles within mainstream social justice organizing, and to foreground the targeted destruction and violence towards Native life and land. www.therednation.org.

Conor ‘Coco’ Tomás Reed

Conor ‘Coco’ Tomás Reed is a Puerto Rican/Irish gender-fluid scholar-organizer of radical cultural movements at the City University of New York. Conor is codeveloping the quadrilingual anthology Black Feminist Studies in the Americas and the Caribbean, and is the current comanaging editor of LÁPIZ Journal and a contributing editor of Lost & Found: The CUNY Poetics Document Initiative. Conor is a cofounding participant in Free CUNY, Rank and File Action, and Reclaim the Commons, and a member of CUNY for Abortion Rights.

Rigo 23 (Ricardo Gouveia)

Rigo 23 (Ricardo Gouveia) is a visual artist and activist who works in diverse media, often in collaborative and public settings. He is a contributor to Zapantera Negra: An Artistic Encounter Between the Black Panthers and the Zapatistas. Born on the Portuguese Island of Madeira, Rigo 23 has been based in California since the mid 1980s. For three decades he has worked closely with individuals and communities dealing with the consequences of ongoing institutional and historical injustice. He is particularly known for work that highlights the politics and political prisoners of the Black Panthers, from the Angola Three to Mumia Abu-Jamal, and the American Indian Movement’s Leonard Peltier. He is one of the founding members of the Clarion Alley Mural Project and is an occasional professor at the San Francisco Art Institute. 

Cheryl Rivera

Cheryl Rivera is a Brooklyn-based organizer with NYC-DSA and Abolition Action and an editor of Lux.

Nic Rodriguez-Villafañe

Nic Rodriguez-Villafañe is a non-binary transmasculine Boricua poet, writer, and DJ. They are currently an adjunct professor of American Studies and Writing Arts at Jefferson University in Philadelphia. They have been an organizer for over 15 years and are a researcher with the Philadelphia Participatory Research Collective (PPRC). Their poems have been described as an "eclectic blend of spanglish hip hop rhythms and Puerto Rican jabería, born out of the southern swamps of Florida." Their writing has been featured in The Gordian Review, Philly Inquirer and N.A.S.W Journal. They are a 2012 Leeway Foundation Arts & Change grant recipient and hold an MFA in Creative Writing from Rutgers Newark. Like most writers they have three jobs to pay bills and six side hustles to stay busy but their main love is always the poems.

Christopher R. Rogers

Christopher R. Rogers is Program Director for the Paul Robeson House and a contributor to Black Lives Matter at School.

Mia Eve Rollow

Mia Eve Rollow is a project-based artist who works with social sculpture, performance, installation, video, sound, drawing and cartoons. She is a contributor to Zapantera Negra: An Artistic Encounter Between the Black Panthers and the Zapatistas. Rollow is also an organizer and curator and has created both solo and community works for projects in Mexico, the United States, Italy, Portugal, Canada and Hong Kong. She is a graduate of the University of Maryland and The School of the Arts Institute of Chicago, where she received a Master’s degree in Sculpture. In 2007 she suffered a spinal cord injury and subsequently undertook seven months of healing and survival by bringing together the resources of art and life. Much of her work is informed by this experience. In 2009 she moved to Chiapas, Mexico, where she cofounded EDELO with her collaborator Caleb Duarte. She is currently artistic codirector in rotation for the Red Poppy House in San Francisco, California. 

Eric-John Russell

Eric-John Russell is a Marie Skłodowska-Curie Postdoctoral Fellow at the Institut für Philosophie, Universität Potsdam. He is the author of Spectacular Logic in Hegel and Debord: Why Everything Is as it Seems and an editor of Cured Quail. He lives in Berlin.

Dread Scott

Dread Scott is a visual artist who makes revolutionary art to propel history forward. He is a 2021 Guggenheim Fellow and a 2020 United States Artists Fellow, whose work has been included in exhibitions at MoMA PS1, the Walker Art Center, Jack Shainman Gallery, and Gallery MOMO in South Africa. It is in the collection of the Whitney Museum and the Brooklyn Museum. The New York Times selected his art as one of The 25 Most Influential Works of American Protest Art Since World War II. In 2019 he presented Slave Rebellion Reenactment, a project that reenacted the largest rebellion of enslaved people in US history. The project was featured in Vanity Fair and on CNN.

Brooke Darrah Shuman

Brooke Darrah Shuman is a video producer at More Perfect Union covering labor and workers' rights. Her video and writing has appeared in HuffPost, Bon Appétit, The New Yorker and the Southern Foodways Alliance. She is a volunteer at Interference Archive, an open stacks archive of political movement material, where she has worked on exhibitions on antifascism in the United States and disability/crip activism

Roberto Sirvent

Roberto Sirvent is an educator interested in race, law, and social movements who has taught at Hope International University, Pomona College, Scripps College, Claremont School of Theology, and Yale’s Summer Bioethics Institute. He is Coordinator of Outreach and Mentoring for the Political Theology Network and currently serves as Associate Editor of the Political Theology journal. With Linn Tonstad, he edits the Political Theology Undisciplined book series for Duke University Press. He is coauthor (with Danny Haiphong) of the book, American Exceptionalism and American Innocence: A People’s History of Fake News—From the Revolutionary War to the War on Terror (Skyhorse).

Colectivo Situaciones

Colectivo Situaciones is a collective of militant researchers based in Buenos Aires, Argentina. They have participated in numerous grassroots coresearch projects with unemployed workers, peasant movements, neighborhood assemblies, and alternative education experiments.

The Situationist International

The Situationist International was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972.

Stavros Stavrides

Stavros Stavrides is an architect teaching at the National Technical University of Athens on social housing and the meaning of metropolitan experience. Stavrides’ work on political autonomy in our contemporary crises-governed cities, illuminated by an experience and knowledge of protest and rebellion in Athens since 2008, provide timely urban theory to theorize forms of emancipating spatial practices and urban commoning. In addition to Towards the City of Thresholds, he has published six books and numerous articles. His recent books include: Common Space: The City as Commons (2016) and Suspended Spaces of Alterity (2010).

Strike Debt 

Strike Debt emerged out of assemblies held in May 2012 in solidarity with the student strikes in Montreal. Working groups such as Occupy Theory, Occupy Student Debt Campaign, and Free University collaborated to hold an assembly on Education and Debt. Several weeks later, the group continued to meet under the name “Strike Debt,” which quickly realized that organizing around all forms of debt provided much-needed energy and systematic analysis to the movement. The Debt Resisters’ Operations Manual is a project of Strike Debt, which is building a movement of debt resistance and liberation based on principles of anti-oppression, autonomy, democratic decision-making, and direct action.

Marcello Tarì

Marcello Tarì is a “barefoot” researcher of contemporary struggles and movements. He is author of numerous essays and books in French and Italian including Il ghiaccio era sottile: Per una storia dell’autonomia and Autonomie!: Italie, les années 1970, and is the translator of The Invisible Committee’s The Coming Insurrection. Marcello Tarì has lived in the last few years between France and Italy. There Is No Unhappy Revolution is his first book published in English.

Mary N. Taylor

Mary N. Taylor is a militant researcher whose praxis is grounded in anthropology, urbanism and dialogical art. She works with the internationalist East European platform LeftEast, and the affiliated roving summer school hosted by different social movement formations in the ‘post-socialist’ region; Brooklyn Laundry Social Club, and KnowWastelands Community Garden.

Tasos Theofliou

Tasos Theofliou is an ananarchist-communist and political prisoner in Greece, from 2012 to 2017. He is the author of six books in Greece, as well as Writings from a Greek Prison with Common Notions. Through speculative fiction, noir, and graphic novel genres, he illuminates the conditions of exploitation and social conflict in Greece. While in prison, Theofilou also authored a book on Attica as part of the international solidarity with the U.S. prisoners’ strike on the forty-fifth anniversary of the prison uprising.

David Tomas 

David Tomas is coeditor of Zapantera Negra: An Artistic Encounter Between the Black Panthers and the Zapatistas. He is an artist, anthropologist, and writer whose production in the visual arts has its roots in a post-1970s critique of conceptual art’s disciplinary infrastructure. For the last forty years, Tomas’ work has explored the nature and functions of different forms of knowledge that are produced at the interface of the history of contemporary art, the history and the anthropology of media and the cultures and transcultures of imaging technologies. Both in visual work and his writings Tomas has conducted this exploration within a framework in which art is considered to be a discipline that operates in tension with the other disciplines that constitute the university’s knowledge matrix. He has exhibited in Canada, the US, and Europe and has held visiting research and fellowship positions at the California Institute of the Arts, Goldsmiths College, and the National Gallery of Canada. He is the author of several books, including Transcultural Space and Transcultural Beings (1996), A Blinding Flash of Light: Photography Between Disciplines and Media (2004), Beyond the Image Machine: A History of Visual Technologies (2004), and more recently, Escape Velocity: Alternative Instruction Prototype for Playing the Knowledge Game (2012) and Vertov, Snow, Farocki: Machine Vision and the Posthuman (2013). Tomas is Professor in Visual Arts at the Université du Québec à Montréal.

Mario Tronti

Mario Tronti is a philosopher and politician. In the 1960s he was among the founders of operaismo (Italian “workerism”), a heterodox school of Marxist thought, and later he played a leading role in the Italian Communist Party. He has been a newspaper editor, university professor, president of the Centro per la Riforma dello Stato, and Senator of the Italian Republic. He is the author of Workers and Capital and many other books in Italian.

Simón Ventura Trujillo

Simón Ventura Trujillo is an assistant professor in the English Department at New York University and the author of Land Uprising: Native Story Power and the Insurgent Horizons of Latinx Indigeneity (2020)

Wages for Students

Wages for Students was anonymously authored and published in the fall of 1975 by George Caffentzis, Monty Neill, and John Willshire-Carrera, three activists associated with the journal Zerowork and later with the Midnight Notes Collective. Wages for Students / Sueldo para estudiantes / Des salaires pours les étudiants is a new trilingual edition that includes an introduction by the pamphlet's original authors alongside a transcript of a collective discussion organized by Jakob Jakobsen, Malav Kanuga, Ayreen Anastas, and Rene Gabri, following a public reading of the pamphlet by George Caffentzis, Silvia Federici, Cooper Union students, and other members and friends of 16 Beaver.

Sasha Durakov Warren

Sasha Durakov Warren is a writer based in Minneapolis. His experiences within the psychiatric system and commitment to radical politics led him to cofound the group Hearing Voices Twin Cities, which provides an alternative social space for individuals to discuss often stigmatized extreme experiences and network with one-another. Following the George Floyd Uprising in 2020, he founded the project Of Unsound Mind to trace the histories of psychiatry, social work, and public health's connections to policing, prisons, and various disciplinary and managerial technologies.

Jawanza Williams

Jawanza Williams has won awards including Citizen Action of New York 2019 Everyday Hero Award and 2020 Village Independent Democrats Honor for Progressive Activism. He has been featured in The New York Times, The Nation, Slate Magazine, NBC News and Vice.

Brian Whitener

Brian Whitener is is an Assistant Professor at the University of South Alabama and author of Crisis Cultures: The Rise of Finance in Mexico and Brazil (University of Pittsburgh Press, 2019). Other writing or translation projects include Face Down (Timeless Infinite Light, 2016), De gente común: Arte, política y rebeldía social, edited with Lorena Méndez and Fernando Fuentes (Universidad Autónoma de la Ciudad de México, 2013) and the translation of Grupo de Arte Callejero: Thoughts, Actions, Practices (Common Notions, 2019). He is an editor at Displaced Press and has been investigating new political and artistic movements in Latin American and autonomist political theory for the past twenty years.